Wednesday, February 29, 2012
T.S Eliot's "The Love Song of J. Alfred Prufrock"
This poem is one of the longer and more complex works we
have studied. The poem is narrated by J.
Alfred Prufrock and uses dramatic monologue to express what he feels and
believes as he takes a walk down the city streets. The destination isn't known or stated, as the following lines expresses: "Oh, do not ask, 'What is it?'/ Let us go and make our visit." (lines 11-12). The excerpt that is found
beneath the title of the poem is from Dante’s Inferno, which is a story about
the journey of a man as he traveled through the different levels of hell. It is rather
ironic that the title of the poem states that perhaps this could be a poem on
romance when the excerpt is taken from such a contrasting piece of literature. Also, the reader is lead to believe that Prufrock is comparing love to hell.
Alfred J. Prufrock is an extremely critical individual, especially towards
himself. The line “With a bald spot in the middle of my hair/ (They will say: ‘How
his hair is growing thin!’/ (lines 40-41) provide evidence of his criticism, more
so about himself and his opinion of his thinning hair. It is as if he does
not feel adequate enough, especially in the following lines: “In the room the
women come and go/ talking of Michelangelo.” (lines 13-14). These lines show
that he perhaps wishes he could talk to such women, but he feels intimidated by
their topic and he doesn’t feel that he is worthy of their attention.
Tuesday, February 28, 2012
T.S Eliot
T.S Elliot’s “Gerontion” is a poem in which I met with
much difficulty as I attempted to read and interpret this particular work. I
believe that Elliot’s purpose of making the poem difficult to understand is
significant to its meaning. The man in the poem is reflecting on the life he
lived, and he has lost his purpose and has failed to understand the meaning of
his life now that he is older. Just like the poem is complex in understanding,
the man’s purpose of life is difficult to understand as well.
W.H Auden
W.H Auden’s “Who’s Who” is a poem is composed of an octet
as the first stanza and the second stanza is composed of a sestet. This poem is about a famous person who achieved
great success in their life. They “climbed
new mountains;/ named a sea:” (line 6) and accomplished miraculous things, and
yet despite of achieving such success, something is missing from his life. The lines “Some of the last researchers even
write/ Love made him weep his pints like you and me.” (lines 6-7) lead the
reader to believe that he is unhappy about the loss of a love. Even though he has experienced a grand
success, it isn’t enough to truly make him happy and make his life
complete. “As I Walked Out One Evening”
is a poem that is composed of fifteen quatrains and is about time and the
different views from two different viewpoints. I believe the viewpoints are from
love and time itself. The point that is first described is time from the
viewpoint of love. The line “Love has no ending.” (line 8) is typical of what
lovers believe. They believe that their love will last the test of time and go
on forever, even after they are no longer walking the earth. The next viewpoint
is time, and it believes that it cannot be conquered, not by love; not by
anything.
Langston Hughes
“The Bitter River” is a poem dedicated to two fourteen
year old boys who were lynched together beneath a bridge in Mississippi in
October of 1942. He writes about “a bitter river/ flowing through the South”
(lines 1-2) which is interpreted as segregation and the prejudice African
American’s endured in the South during this time. Hughes goes on to write that he has drunk
from such a river before, and this river “strangled his dreams” (line 16). This can be construed to mean that he has
been a victim of prejudice and although no one is literally stopping him from
pursuing his dreams, the racist thoughts of others are disabling him from
following his dreams. The lines “The
book studied—but useless,/ tools handled—but unused,/ knowledge acquired but
thrown away/ ambition battered and bruised.” (lines 16-20) sum the troubles
some African Americans, including Hughes, have suffered through. Although they have pursued an education and have
the necessary tools required to succeed or simply do a job does not matter;
they are still mistreated by the white society, and their ambitions, goals, and
dreams are thrown away. The “bitter
river” washes such things away.
Thursday, February 16, 2012
Sylvia Townsend Warner
Sylvia Townsend Warner’s “East London Cemetery” is a
somber poem about death in which it is personified. The poem is about what death would say and do
if it could speak to its victims.
Personifying death gives it a bigger sense of depth, which makes death
even more daunting. Townsend presents death as indifferent as to who it claims
and the lines “this house of call/ show sign-board wears no boast/save beds for
all” provides evidence that death does not grant rights or privileges. The
second stanza and the first line of “Narrow the bed, and bare/ and none too
sweet” could possibly be referred to a coffin.
The line “Comfort, says he, with shrug, is but degree” symbolizes that
there is no need for comfort when a person becomes a guest for death. Also, the title is symbolic as well. The “East London Cemetery” when used with
words such as “comfort”, “sheet”, and “luxury” lead the reader to believe that
social class plays a role; however, death does not favor such things and class
won’t matter when you become a victim of death.
D.H Lawrence
It is stated in D.H Lawrence’s biography contained within
the book that his writings of the relationship between a mother and son are “ruined
by possessiveness, an excess of feeling”, and Lawrence’s “Piano” is just
that. The poem begins with a woman
singing and playing the piano. It takes
the narrator back to when he was a child.
The singing brings back memories of the child’s mother singing and playing
the piano as well. The narrator may very
well be Lawrence himself; the use of the word “boom” and the way the pressing
of the pedals with his mother are described lead the reader to believe that he
actually experienced this. The narrator
allows himself to relive these memories in such a way that he wishes he could
go back those those Sunday evenings at home.
As the woman continues her song, the narrator’s present-life is cast
behind his childhood memories and he weeps like a child for his past. Something as simple as a woman’s singing
voice and piano triggered memories of the narrator and the times he shared with
his mother, and it gave her the power to possess this moment in life by
reminding him of his childhood. It is
common for an adult to reflect back on their childhood and wish they had done
certain things differently, and it is as an adult that these feelings trigger
regret, and therefore the narrator’s immense emotion is portrayed in the last
line.
Gertrude Stein
Gertrude Stein’s “Why Do You Feel Differently” was a bit
difficult for me to understand the first time I read through the poem. The use of anaphora, the repetition of the
title contained within the lines several times, and the recurrence comparing
small objects to large ones lead me to believe that they were of no
significance in the poem; however, I was mistaken. The ‘turkeys’, ‘sheep’, and ‘snails’ seem
like they have no contextual meaning either, but after re-reading the poem several
times, they provide ample meaning. To me,
Stein’s purpose of the first few lines have to do with society’s tendency to
believe “the bigger the better”. You
feel differently about a larger snail than you would a smaller one because the
bigger snails are better, and the same goes for a medium-sized turkey and
several sheep. Bigger is better. Also, the line, “All nice wives are like that”
provides meaning as well. I believe
Stein is referring to the conventional standards of the 1920’s wife, and how
they should be. The use of “to be” and “please”
perhaps leads the reader to be a bit confused or lost, and I believe Stein is
making a connection between the confusion of these repeated lines and the
feelings of these wives that please those around them rather than themselves.
Amy Lowell and Ezra Pound
Amy Lowell uses imagery in “The Pike” to describe the
pike and its surroundings by vividly illustrating how an unnoticed pike does
what it always does and then one day becomes increasingly noticeable by simply
flicking its tail and changing how its movement is seen about through the dark
and muddy water. In the poem, the fish that
Lowell is referring to is the pike, or various superficially similar fishes. This pike is hidden beneath the shade of the
reeds and it is very difficult to see the pike among the stems, and the fish
goes unnoticed. However, once the fish
flickers its tail, its green and copper luster runs beneath the water and is
now visible through the reeds. The pike’s
bright colors could even be seen on the opposite banks. To me, the pike is symbolic of human nature. It is very common for people to go about
their daily lives in the same way every day and in doing so, it’s as if they’ve
become hidden and not noticeable to others and just the flick of their tales
can dramatically change everything. Ezra
Pound’s “In a Station of the Metro” is perhaps imagery at its finest. Pound wrote that after riding on a metro
train in Paris, he saw a beautiful face followed by another beautiful face, and
then another, and another, and another.
He tried to put his sight of these beautiful faces into words, but
failed to do so because he just couldn’t find the right words to describe
them. Nothing seemed worthy of recounting
the beauty he had seen or the sudden emotion he had felt. After several attempts and still finding
nothing, Pound unexpectedly found the expression rather than the words. In the first sentence of the poem, Pound describes
seeing their faces through the crowd. It
illustrates us as humans going about their daily lives. The second sentence refers the faces to flower
petals after the rain, which in nature symbolizes life. However, the “black bough” shows the exact opposite
of the beauty of flowers in the rain: death.
Like the beautiful flower petals, everything comes to an end. The combination of these two sentences, as
contrasting as they both are, symbolizes that even through humans are different
from certain elements in nature (such as petals and rain), we eventually all
suffer the same fate.
Thursday, February 2, 2012
The British War Poets
This particular group of poems
differs greatly than the other poems we’ve previously studied. These poems are recollections of the authors’
experiences as soldiers in World War I and are grim and realistic concerning
the matter of death. Siegfried Sasson’s “Blighters”
is the contrast between the horrific experiences of battle and civilians’ experiences
at a comfortable and safe distance.
While soldiers are at war, the normal lives of civilians continue. It is
as if they are completely oblivious to the carnage that their sons, fathers, or
brothers are enduring. You are also lead
to believe that their attitudes about the war and the casualties are unsympathetic
from the following lines from the poem: “I’d
like to see a Tank come down the stalls/ Lurching to rag-time tunes, or “Home,
sweet Home/ And there’d be no more jokes in the Music-halls/ To mock the
riddled corpses round Bapaume”. Wilfred
Owen’s “Dulce et Decorum Est” is another brutal and horrifying experience of
the war. Owen grimly describes watching a
fellow soldier die from Mustard gas and just how it affects him. The line “In all my dreams, before my
helpless sight, / He plunges at me, guttering, choking, drowning” provides such
evidence.
The American New Poets
There is much irony contained within Edgar Lee Masters’
“Hamilton Greene”. Hamilton Greene is
the biological child of Thomas Greene and Elsa Wertman, a German peasant who
worked at the Greene’s. Mrs. Greene
learns of Elsa’s secret and decides to take the child as her own since she has
no children of her own. Hamilton lives
his entire life never knowing who his biological mother is and pays homage to
his parents, who are of “valiant and honorable blood both” and states that he
owes them his success. Hamilton believes
he inherited certain traits from both his mother and father that resulted in
his achievements, meanwhile being completely oblivious as to who he really
is. Another poem that contains irony is
“Rueben Bright”. In this poem, Ruben
Bright’s wife passes away and he is absolutely devastated. Since he is a butcher, people were surprised
that he would show such emotion, especially on the matter of death.
Wednesday, February 1, 2012
W.B Yeats
W.B Yeats’ “When You Are Old”, to me, projects a somber message to a person Yeats once deeply cared for. I got the impression that this person was no longer in Yeats’ life at the time the poem was written. In the poem, he is telling this person to reflect back on their life when they are older and to remember what once was: the happiness this person brought unto others, and also their beauty (perhaps inner as well as outer beauty) whether it was meaningless or not. Also, this person was loved for their young and innocent soul and continued to be loved throughout the years as they grew older and changed physically and mentally. But sadness is to be expected after reflecting on the past: “…a little sad, from us fled love”. Yeats (or the speaker) is no longer in this person’s life and when this person is looking back they’re reminded of this. The last line of the poem also suggests that they’re practically strangers now. Yeats’ poem, “A Coat” is referencing to the changes that were brought about by the English, such as their attempts to convert the Irish into Protestant or replace their language. The “song” in which Yeats writes about could be the Irish traditions that are trying to be altered. I view the “fools”, as stated in the fifth line, as the British that are forcing the Irish to do away with their heritage and the normalcy of their everyday life. Not wanting to conform, the speaker would much rather do away with his “coat” as opposed to being forced to change his traditions.
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